This is such a bleak and traumatic image. The woman’s face appears so pained and the addition of hand drawn angular illustration accentuates the anguish by obscuring parts of the woman’s face distorting her features into an even more pained expression. I love it.
Click to see the video for Epilepsy Is Dancing
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Rich
There is a treasure trove of small labels across the world who put out great music that isn’t considered financially viable enough for major labels. Great music that has a niche audience of a few thousand (and maybe more – majors generally aren’t interested if the band don’t have the potential to shift 10s of thousands of units). The labels often work closely with artists and designers to produce spectacular results. My friends and I refer to it as the “factory model”, as I’m sure many others do, based on the work on Factory Records. They started small and worked closely with designers such as Peter Saville (who defined the label visually from the very beginning). They were more than a record label, Factory Records produced concepts that helped define a generation, not only of Mancunians but of many Brits as well. A good record label can revolutionise.
See the artwork for 33Hz, Mondkopf...
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Rich
I was just flicking through the Sunday Times Magazine looking at “The Greatest Rock’n'Roll pictures ever” when I noticed an image I’ve seen many times before: Blur’s parody of Parallel Lines by Blondie but what I hadn’t noticed before was how much Damon Albarn’s Debbie Harry looks like Katy Perry. Scary huh?
Original Katy Perry and Blondie after the cut...
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Rich
It’s all over the internets and I don’t like it. I love the image but I don’t like the album cover. I shall explain. The U2 artwork contains a stunning photograph by Japanese photographer Hiroshi Sugimoto. The actual design though is deliberately non-committal; as softly-focused as the image on the cover. The lack of name implies a lack of ownership. What would Freud say? Only a band as big as U2 could release an album on which the cover has no mention of the artist but that doesn’t mean they should. The music on the U2 album is...
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Rich
Although officially designed by Peter Saville, architect Ben Kelly also claims rights to this iconic design. Kelly’s thesis for the Royal College of Art (1974) shows an almost identical image but engraved with the words Metal Lined Cubicles along side his pseudonym The Photo Kid.
Peter Saville felt...
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Rich
Ceri Jones is a graphic designer working in Cardiff. He is also a very good friend of mine. I’ve nicked this poster from his blog because I think it works so fantastically well as both poster and image. The band had insisted that promoters use the photograph for any tour related imagery. Most promoters just slapped a chunk of text on the photo and make it look like death.
By adding...
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Rich
I absolutely love this. A collaboration between Nothing to See Here and Grafik Warfare. Entirely shot on stills cameras in miserable weather there must be about 3000 images used in the actual video. The music video...
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Rich